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SKU: ae1020c | see all opera disks
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Forty years ago, the Teatro Colón offered Wagner's cycle under the 39-year-old Heinz Wallberg...
PC/MAC
Playable on your home computer and some CD-MP3 players.
$9.99

Wagner's Ring from Buenos Aires
September/October 1962 - Heinz Wallberg, conductor

  Quick Clips
 Fort denn eile (stereo)
 Fort denn eile (mono)
 Wotans Abschied
  clips with descriptions >>
Forty years ago, the Teatro Colón offered Wagner's cycle under the 39-year-old Heinz Wallberg. Still known in Europe for his conducting in major houses, he has recorded no Wagner operas. On listening to this performance, one wonders why. If you attended The Ring at any major opera house in the early 1960's, you would have been likely to hear many of the principals on this recording. We are happy to offer it as Volume AE102 of the Audio Encyclopedia with this remarkable cast:
Character      Artist
Wotan / Der Wanderer      Hans Hotter
Brünnhilde      Birgit Nilsson
Siegfried      Hans Hopf
Siegmund / Loge      Fritz Uhl
Sieglinde / Gutrune      Gré Brouwenstijn
Fricka / Waltraute (Götterdämmerung)      Ursula Boese
Alberich      Alois Pernerstorfer
Mime      Herold Kraus
Hunding / Fasolt      Arnold van Mill
Fafner      Jorge Algorta

It is all but impossible to sample The Ring in a few minutes of audio. Fortunately, most of the principals are well known for their characterizations in other contemporary recordings. The major unknowns are the conductor, the company as a whole, and the sound quality - and, of course, the vocal estate of the principals. The recording on the CD-ROM is in stereo at 112 Kbps.

Clips with Descriptions

"Fort denn eile" in stereo is exactly as on the disc. Even with a broadband connection, you may prefer to download the file to audition later; its takes about 3.2 Megabytes.

For comparison and at a more practical size,
"Fort denn eile" in monaural is here at our usual 32 Kbps (900 KB), as is
Wotans Abschied from "Der Augen leuchtendes Paar" (2.4 MB)


NOTES

  • A few minutes at the end of Götterdämmerung Act II have been lost and are replaced with a later Colón performance.
  • An embarassing and repeated typographic error in the conductor's name could not be corrected before pressing. My apologies are extended to Herr Wallberg.
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